{"id":2008,"date":"2017-10-20T13:57:17","date_gmt":"2017-10-20T12:57:17","guid":{"rendered":"http:\/\/www.petruccimarco.it\/en\/?page_id=2008"},"modified":"2025-09-08T22:37:57","modified_gmt":"2025-09-08T21:37:57","slug":"italian-lighting-news","status":"publish","type":"page","link":"https:\/\/www.petruccimarco.it\/en\/italian-lighting-news\/","title":{"rendered":"News"},"content":{"rendered":"<div id=\"dslc-theme-content\"><div id=\"dslc-theme-content-inner\"><div id=\"dslc-content\" class=\"dslc-content dslc-clearfix\">\n<div id=\"dslc-main\">\n<div  class=\"dslc-modules-section \" style=\"padding-bottom:00px;padding-top:00px;\" data-section-id=\"20e87477fcd\">\n<div class=\"dslc-modules-section-wrapper dslc-clearfix\">\n<style type=\"text\/css\" id=\"dslca-modules-area-\"><\/style>\n<div  class=\"dslc-modules-area dslc-col dslc-12-col dslc-last-col dslc-valign- \" data-size=\"12\" data-valign=\"\" data-modules-area-id=\"\" >\n<div id=\"dslc-module-a5ec72bd311\" class=\"dslc-module-front dslc-module-DSLC_Text_Simple dslc-in-viewport-check dslc-in-viewport-anim-none  dslc-col dslc-12-col dslc-last-col  dslc-module-handle-like-regular \" data-module-id=\"a5ec72bd311\" data-module=\"DSLC_Text_Simple\" data-dslc-module-size=\"12\" data-dslc-anim=\"none\" data-dslc-anim-delay=\"0\" data-dslc-anim-duration=\"650\"  data-dslc-anim-easing=\"ease\" data-dslc-preset=\"none\" >\n<div class=\"dslc-text-module-content\">\n<h1>History, Ambivalences and Perspectives in 21st Century Lighting Design<\/h1>\n<\/p><\/div>\n<\/p><\/div>\n<p><!-- .dslc-module --><\/p>\n<div id=\"dslc-module-c98747a1ddc\" class=\"dslc-module-front dslc-module-DSLC_Text_Simple dslc-in-viewport-check dslc-in-viewport-anim-none  dslc-col dslc-12-col dslc-last-col  dslc-module-handle-like-regular \" data-module-id=\"c98747a1ddc\" data-module=\"DSLC_Text_Simple\" data-dslc-module-size=\"12\" data-dslc-anim=\"none\" data-dslc-anim-delay=\"0\" data-dslc-anim-duration=\"650\"  data-dslc-anim-easing=\"ease\" data-dslc-preset=\"none\" >\n<div class=\"dslc-text-module-content\">\n<h2>A critical reflection on the evolution of artificial light in modern architecture<\/h2>\n<\/p><\/div>\n<\/p><\/div>\n<p><!-- .dslc-module --><\/p>\n<div id=\"dslc-module-dc9d044b9d6\" class=\"dslc-module-front dslc-module-DSLC_Text_Simple dslc-in-viewport-check dslc-in-viewport-anim-none  dslc-col dslc-12-col dslc-last-col  dslc-module-handle-like-regular \" data-module-id=\"dc9d044b9d6\" data-module=\"DSLC_Text_Simple\" data-dslc-module-size=\"12\" data-dslc-anim=\"none\" data-dslc-anim-delay=\"\" data-dslc-anim-duration=\"650\"  data-dslc-anim-easing=\"ease\" data-dslc-preset=\"none\" >\n<div class=\"dslc-text-module-content\">\n<p>In contemporary architectural design, the relationship with light continues to be marked by a profound ambivalence. On the one hand, it is celebrated in its natural dimension, as the generative matrix of space: consider Le Corbusier's famous definition, according to which architecture is \"the reaction of solids with light,\" or Louis Kahn's statement, which defines it as \"the source of all presence,\" the foundation of matter and shadow. On the other hand, when it presents itself in its electrical and artificial form, light is often relegated to a mere technical matter, emptied of any symbolic, expressive, or design meaning.<\/p>\n<p>This dichotomy has profoundly affected 20th-century design thinking, giving rise to two often divergent approaches. On the one hand, a technical-scientific vision, in which light is treated as a measurable physical-energetic phenomenon, framed within standardized and verifiable calculation methods. On the other, an artistic-perceptual vision, which considers light a visual language, a system of signs, capable of constructing meaning and relationships through representation. The latter has found its privileged fields in theater, photography, and cinema, where light has become a narrative and symbolic tool.<\/p>\n<p>The birth of lighting technology as a discipline lies precisely within the forefront, with the founding of the Commission Internationale de l\u2019\u00c9clairage (CIE) in 1913, which marked the beginning of the technical-scientific codification of light and its connection to electricity generation. Since then, light has been progressively reduced to a set of calculable units\u2014lumen, lux, candela\u2014and subjected to a prescriptive system designed to ensure performance, efficiency, and safety. In particular, collective spaces\u2014factories, schools, hospitals, offices, infrastructure\u2014have been the first to undergo this process. Light, in these contexts, is often \"resolved\" in an efficient relationship between intensity and surface area, leaving little room for design research.<\/p>\n<p>However, in symbolically relevant settings\u2014such as places of worship, institutions, theaters, or performance spaces\u2014light has retained a differentiating role. As Roland Barthes, one of the most influential French intellectuals of the 20th century, known for his fundamental contributions to semiology, literary criticism, and communication theory, observed, modern societies are still pervaded by \"rites of social prestige\" in which light acts as a scenic element, capable of constructing hierarchies, emotions, and meanings. In these contexts, light is not only an illuminating factor, but a means of communication.<\/p>\n<p>In light of this history, today more than ever it seems urgent to rethink lighting design as a multidimensional system that spans disciplines, cultures, and knowledge. Far from being a sectoral area, contemporary lighting is a strategic and interdisciplinary field, in which architecture, design, engineering, regulations, economics, ecology, and visual culture converge. Light is not just a luminous emission, but a cultural and environmental factor that influences the way we inhabit, perceive, and transform space.<\/p>\n<p>In this scenario, the lighting ecosystem presents itself as a complex and constantly evolving reality. It encompasses emerging technologies, evolving regulatory systems, international competitions, energy policies, industrial models, and artistic and educational practices. Every day, these elements overlap, complement each other, and sometimes contradict each other, helping to redraw the map of lighting design.<\/p>\n<p>In the current context, dominated by technological acceleration, process optimization, and the automation of design decisions, it is essential to reaffirm the value of a critical, exploratory, and reflective approach. Lighting design cannot be reduced to a mechanical or performance-based operation: it requires an open mindset, capable of questioning the complexity of reality, addressing ambiguities, and building connections between technical knowledge and design imagination.<\/p>\n<p>Design curiosity, understood as a striving toward the unknown, thus emerges as the true driving force of research. Only through an experimental and interdisciplinary approach is it possible to read the signs of change, imagine future scenarios, and propose solutions that combine efficiency and poetry, norm and vision, measure and meaning.<\/p>\n<p>In this framework, light is not simply what illuminates. It is what reveals, what constructs space, what modifies perception, what transforms. It is an autonomous design material, a critical language, and a tool for meaning. Thinking about light\u2014today\u2014means reconnecting past, present, and future, overcoming historical dichotomies, and shaping a new design ecology, grounded in the integration of science, culture, and imagination.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<p><!-- .dslc-module -->\n\t\t<\/div>\n<\/div>\n<\/div>\n<div  class=\"dslc-modules-section \" style=\"margin-bottom:100px;padding-bottom:0px;padding-top:0px;background-repeat:no-repeat;border-style:dotted;\" data-section-id=\"1e3b6130c46\">\n<div class=\"dslc-modules-section-wrapper dslc-clearfix\">\n<style type=\"text\/css\" id=\"dslca-modules-area-\"><\/style>\n<div  class=\"dslc-modules-area dslc-col dslc-12-col dslc-last-col dslc-valign- \" data-size=\"12\" data-valign=\"\" data-modules-area-id=\"\" >\n<div id=\"dslc-module-ktkfj4t697\" class=\"dslc-module-front dslc-module-DSLC_Blog dslc-in-viewport-check dslc-in-viewport-anim-none  dslc-col dslc-12-col dslc-last-col  dslc-module-handle-like-regular \" data-module-id=\"ktkfj4t697\" data-module=\"DSLC_Blog\" data-dslc-module-size=\"12\" data-dslc-anim=\"none\" data-dslc-anim-delay=\"\" data-dslc-anim-duration=\"650\"  data-dslc-anim-easing=\"ease\" data-dslc-preset=\"none\" >\n<div class=\"dslc-posts dslc-blog-posts dslc-clearfix dslc-blog-posts-type-grid dslc-posts-orientation-horizontal dslc-init-grid \">\r\n\t\t\t\r\n\t\t\t\r\n\t\t<div class=\"dslc-posts-inner\">\r\n\t<div class=\"dslc-post dslc-blog-post dslc-col dslc-12-col  dslc-last-col dslc-post-format-standard\" data-cats=\"news \">\r\n\r\n\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb dslc-post-thumb dslc-on-hover-anim\">\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb-inner dslca-post-thumb\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/led-bulbs-cannot-replace-halogen-bulbs\/\" class=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1250\" height=\"855\" src=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2023\/01\/Sorgenti-a-confroto.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Sources compared\" title=\"Sources compared\" srcset=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2023\/01\/Sorgenti-a-confroto.jpg 1250w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2023\/01\/Sorgenti-a-confroto-300x205.jpg 300w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2023\/01\/Sorgenti-a-confroto-768x525.jpg 768w\" sizes=\"auto, (max-width: 1250px) 100vw, 1250px\" \/><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb-inner -->\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<div class=\"dslc-post-main dslc-blog-post-main\">\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-title\">\r\n\t\t\t\t\t\t\t\t\t\t\t<h2><a href=\"https:\/\/www.petruccimarco.it\/en\/led-bulbs-cannot-replace-halogen-bulbs\/\">Led bulbs cannot replace halogen bulbs<\/a><\/h2>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-title -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-excerpt\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tLight source design (Comparing light sources - Photo courtesy of Petrucci Marco Lighting Design) Energy efficiency is mostly based on purely quantitative considerations. Banning halogen bulbs will significantly lower the quality of light in our homes. In halogen lamps, light is emitted by a metal filament which is made incandescent by the passage of electric current. The Scintilla lamp designed in 1972 and produced by Fontana Arte, with its minimalist&hellip;\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-excerpt -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-read-more\">\r\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/led-bulbs-cannot-replace-halogen-bulbs\/\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"dslc-icon dslc-icon-\"><\/span>\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRead\t\t\t\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-read-more -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/div><!-- .blog-post-main -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div><!-- .dslc-blog-post -->\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"dslc-post-separator\"><\/div>\r\n\t<div class=\"dslc-post dslc-blog-post dslc-col dslc-12-col  dslc-last-col dslc-post-format-standard\" data-cats=\"news \">\r\n\r\n\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb dslc-post-thumb dslc-on-hover-anim\">\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb-inner dslca-post-thumb\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/living-light\/\" class=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1250\" height=\"855\" src=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2023\/01\/Luce-Viva.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Scheme of bright light\" title=\"Luce Viva\" srcset=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2023\/01\/Luce-Viva.jpg 1250w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2023\/01\/Luce-Viva-300x205.jpg 300w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2023\/01\/Luce-Viva-768x525.jpg 768w\" sizes=\"auto, (max-width: 1250px) 100vw, 1250px\" \/><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb-inner -->\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<div class=\"dslc-post-main dslc-blog-post-main\">\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-title\">\r\n\t\t\t\t\t\t\t\t\t\t\t<h2><a href=\"https:\/\/www.petruccimarco.it\/en\/living-light\/\">Living light<\/a><\/h2>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-title -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-excerpt\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tColour adaptation properties of the eye (Prism by Isaac Newton - Photo courtesy of Petrucci Marco Lighting Design) The technical data sheet of each individual luminaire and light source contains a technical fact of fundamental importance: the colour rendering index. Light sources can have very different colour rendering characteristics, depending on the emission spectrum. \u00a0In order to achieve colour rendering similar to that which we are used to during daylight&hellip;\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-excerpt -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-read-more\">\r\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/living-light\/\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"dslc-icon dslc-icon-\"><\/span>\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRead\t\t\t\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-read-more -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/div><!-- .blog-post-main -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div><!-- .dslc-blog-post -->\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"dslc-post-separator\"><\/div>\r\n\t<div class=\"dslc-post dslc-blog-post dslc-col dslc-12-col  dslc-last-col dslc-post-format-standard\" data-cats=\"news \">\r\n\r\n\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb dslc-post-thumb dslc-on-hover-anim\">\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb-inner dslca-post-thumb\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/dan-flavin-exhibition-milan\/\" class=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"875\" src=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2019\/07\/Dan-Flavin-Exhibition-Milan.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Dan Flavin Exhibition Milan - red and yellow\" title=\"Dan Flavin Exhibition Milan\" srcset=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2019\/07\/Dan-Flavin-Exhibition-Milan.jpg 1280w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2019\/07\/Dan-Flavin-Exhibition-Milan-300x205.jpg 300w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2019\/07\/Dan-Flavin-Exhibition-Milan-768x525.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb-inner -->\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<div class=\"dslc-post-main dslc-blog-post-main\">\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-title\">\r\n\t\t\t\t\t\t\t\t\t\t\t<h2><a href=\"https:\/\/www.petruccimarco.it\/en\/dan-flavin-exhibition-milan\/\">Dan Flavin | Light and color<\/a><\/h2>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-title -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-excerpt\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tDan Flavin | Light and color Dan Flavin (New York, 1 April 1933 - 29 November 1996) From 19th February to 28th June, fourteen luminous works by the minimalist American artist Dan Flavin, dating from the late 1960s to the 1990s, will be exhibited at the Cardi Gallery in Milan. These works are the result of the artist\u2019s research into the notions of light, color, and sculptural space: how light&hellip;\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-excerpt -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-read-more\">\r\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/dan-flavin-exhibition-milan\/\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"dslc-icon dslc-icon-\"><\/span>\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRead\t\t\t\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-read-more -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/div><!-- .blog-post-main -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div><!-- .dslc-blog-post -->\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"dslc-post-separator\"><\/div>\r\n\t<div class=\"dslc-post dslc-blog-post dslc-col dslc-12-col  dslc-last-col dslc-post-format-standard\" data-cats=\"news \">\r\n\r\n\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb dslc-post-thumb dslc-on-hover-anim\">\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb-inner dslca-post-thumb\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/light-building-2018\/\" class=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1250\" height=\"855\" src=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/2017-light-design-mitic.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Light design mitic suspension - led lightsing design\" title=\"Lighting device Mitic\" srcset=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/2017-light-design-mitic.jpg 1250w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/2017-light-design-mitic-300x205.jpg 300w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/2017-light-design-mitic-768x525.jpg 768w\" sizes=\"auto, (max-width: 1250px) 100vw, 1250px\" \/><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb-inner -->\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<div class=\"dslc-post-main dslc-blog-post-main\">\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-title\">\r\n\t\t\t\t\t\t\t\t\t\t\t<h2><a href=\"https:\/\/www.petruccimarco.it\/en\/light-building-2018\/\">Light + Building 2018<\/a><\/h2>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-title -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-excerpt\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tLight + Building 2018 Frankfurt (18 March 2018 - 23 March 2018) DESIGN SHEET Indirect Lighting devices for wall or suspension applications. Monocromatic LED source, homogeneous and comfy light output. 5,3 meters Glazed-Iron-Bar. Remote control power-supply. Lighting source: LED 250W Dims: \u00d81700 mm 2017 | Lighting Device | Mitic RETAIL SHEET The round shape has a sort of resilient magnetic power catching the viewer's eye. The Disk is a shape&hellip;\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-excerpt -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-read-more\">\r\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/light-building-2018\/\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"dslc-icon dslc-icon-\"><\/span>\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRead\t\t\t\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-read-more -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/div><!-- .blog-post-main -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div><!-- .dslc-blog-post -->\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"dslc-post-separator\"><\/div>\r\n\t<div class=\"dslc-post dslc-blog-post dslc-col dslc-12-col  dslc-last-col dslc-post-format-standard\" data-cats=\"news \">\r\n\r\n\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb dslc-post-thumb dslc-on-hover-anim\">\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb-inner dslca-post-thumb\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/waterfront-ancona\/\" class=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"875\" src=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/IMG-Ancona-reclamo.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Ancona night view with new illumination waterfront\" title=\"Waterfront Ancona reclamo\" srcset=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/IMG-Ancona-reclamo.jpg 1280w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/IMG-Ancona-reclamo-300x205.jpg 300w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/IMG-Ancona-reclamo-768x525.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb-inner -->\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<div class=\"dslc-post-main dslc-blog-post-main\">\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-title\">\r\n\t\t\t\t\t\t\t\t\t\t\t<h2><a href=\"https:\/\/www.petruccimarco.it\/en\/waterfront-ancona\/\">Contest Waterfront Ancona 3.0<\/a><\/h2>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-title -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-excerpt\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tContest Waterfront Ancona 3.0 Public Competition (Ancona, 9 March 2018) Con riferimento al concorso in oggetto si intende svolgere partitamente le seguenti considerazioni su aspetti del Bando di concorso (\u201cBando\u201d) e del Disciplinare di gara (\u201cDisciplinare\u201d) che, oltre a risultare di difficile comprensione, presentano contraddizioni tali da inficiarne la legittimit\u00e0. 1 \u2013\u00a0 AFFIDAMENTO DEI SUCCESSIVI LIVELLI DI PROGETTAZIONE DEFINITIVA ED ESECUTIVA Risulta evidente la contraddizione esistente tra quanto riportato nel\u00a0&hellip;\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-excerpt -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-read-more\">\r\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/waterfront-ancona\/\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"dslc-icon dslc-icon-\"><\/span>\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRead\t\t\t\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-read-more -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/div><!-- .blog-post-main -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div><!-- .dslc-blog-post -->\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"dslc-post-separator\"><\/div>\r\n\t<div class=\"dslc-post dslc-blog-post dslc-col dslc-12-col  dslc-last-col dslc-post-format-standard\" data-cats=\"news \">\r\n\r\n\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb dslc-post-thumb dslc-on-hover-anim\">\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb-inner dslca-post-thumb\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/officina-meccanica-gram\/\" class=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"875\" src=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/Articolo-Gerardo-Rosamilia.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"officina meccanica gram and Gerardo Rosamilia\" title=\"Gerardo Rosamilia\" srcset=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/Articolo-Gerardo-Rosamilia.jpg 1280w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/Articolo-Gerardo-Rosamilia-300x205.jpg 300w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2018\/03\/Articolo-Gerardo-Rosamilia-768x525.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb-inner -->\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<div class=\"dslc-post-main dslc-blog-post-main\">\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-title\">\r\n\t\t\t\t\t\t\t\t\t\t\t<h2><a href=\"https:\/\/www.petruccimarco.it\/en\/officina-meccanica-gram\/\">Officina Meccanica G.R.A.M.<\/a><\/h2>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-title -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-excerpt\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tOfficina Meccanica G.R.A.M. Gerardo Rosamilia (portrait) 1916 \u2013 The State choses to take immediate action in manufacturing and production planning of military equipment; The BPD (Bombrini Parodi Delfino) installation \u2013 the largest Italian manufacturing plants for explosive equipment with roughly about 20.000 employees - established in 1935 in a free zone \u2013 recognized as Municipality of Colleferro (Comune di Colleferro). 1935 \u2013 The Council of Colleferro is officially comes into&hellip;\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-excerpt -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-read-more\">\r\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/officina-meccanica-gram\/\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"dslc-icon dslc-icon-\"><\/span>\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRead\t\t\t\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-read-more -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/div><!-- .blog-post-main -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div><!-- .dslc-blog-post -->\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"dslc-post-separator\"><\/div>\r\n\t<div class=\"dslc-post dslc-blog-post dslc-col dslc-12-col  dslc-last-col dslc-post-format-standard\" data-cats=\"news \">\r\n\r\n\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb dslc-post-thumb dslc-on-hover-anim\">\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-thumb-inner dslca-post-thumb\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/italian-design\/\" class=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"875\" src=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2019\/04\/Fratelli-Castiglioni.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"Castiglioni brothers exhibition\" title=\"Castiglioni Brothers\" srcset=\"https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2019\/04\/Fratelli-Castiglioni.jpg 1280w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2019\/04\/Fratelli-Castiglioni-300x205.jpg 300w, https:\/\/www.petruccimarco.it\/en\/wp-content\/uploads\/2019\/04\/Fratelli-Castiglioni-768x525.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb-inner -->\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-thumb -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<div class=\"dslc-post-main dslc-blog-post-main\">\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-title\">\r\n\t\t\t\t\t\t\t\t\t\t\t<h2><a href=\"https:\/\/www.petruccimarco.it\/en\/italian-design\/\">Italian Design | Piero Castiglioni<\/a><\/h2>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-title -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-excerpt\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tItalian Design | Piero Castiglioni Lighting designer At a distance of 20 years from the article of Paola Antonelli Associate Curator, Department of Architecture and Design (\u00a9 1997 The Museum of Modern Art in New York) today the Castiglioni family continues to be the protagonist. Piero Castiglioni\u00a0was born in Lierna on Como Lake, in January 1944, eldest son of Livio works in sign of Italian design. Piero experiments of light&hellip;\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-excerpt -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"dslc-blog-post-read-more\">\r\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.petruccimarco.it\/en\/italian-design\/\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"dslc-icon dslc-icon-\"><\/span>\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRead\t\t\t\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t\t<\/div><!-- .dslc-blog-post-read-more -->\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/div><!-- .blog-post-main -->\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div><!-- .dslc-blog-post -->\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"dslc-post-separator\"><\/div><\/div><!-- .dslc-posts-inner -->\r\n\t\t\t\r\n\t\t\t\r\n\t<\/div><!-- .dslc-blog-posts --><\/div>\n<p><!-- .dslc-module -->\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>History, Ambivalences and Perspectives in 21st Century Lighting Design A critical reflection on the evolution of artificial light in modern architecture In contemporary architectural design, the relationship with light continues to be marked by a profound ambivalence. On the one hand, it is celebrated in its natural dimension, as the generative matrix of space: consider [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"_g2\/page-lp-builder.php","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_veu_custom_css":"","veu_display_promotion_alert":"common","_exclude_from_list_pages":"","vkExUnit_contact_enable":"","_lightning_design_setting":{"layout":"col-one-no-subsection"},"footnotes":""},"class_list":["post-2008","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Italian Lighting: all the news about Lighting Design<\/title>\n<meta name=\"description\" content=\"This section is dedicated to Design and the History of architecture, lighting project competitions, relationship between light and architecture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.petruccimarco.it\/en\/italian-lighting-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Italian Lighting: all the news about Lighting Design\" \/>\n<meta property=\"og:description\" content=\"This section is dedicated to Design and the History of architecture, lighting project competitions, relationship between light and architecture.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.petruccimarco.it\/en\/italian-lighting-news\/\" \/>\n<meta property=\"og:site_name\" content=\"PMLD\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-08T21:37:57+00:00\" \/>\n<meta property=\"og:image\" 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